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(Vocals, songwriter, fiddle, b. 1938) Born in Tennessee and raised in Alabama, Melba Montgomery toured with Roy Acuff’s band between 1958 and 1962 before going solo. Fourteen of her 30 country hits were duets, initially with George Jones. Her greatest success with Jones – ‘We Must Have Been Out Of Our Minds’ (1963) – was followed ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Wes Montgomery (1925–68) emerged in the Fifties and gained a wide following in the cool jazz movement before turning to pop-jazz in the Sixties. With his unique use of lead lines played in octaves with his left hand and strummed by his right-hand thumb, Montgomery mixed jazz harmonies with R&B rhythms to gain a pop following and exert broad influence ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

(Piano, vocals, 1906–85) Eurreal Wilford Montgomery was born in Louisiana and taught himself piano, dropping out of school to work functions and juke joints. He first recorded for Paramount in 1930 (‘Vicksburg Blues’/‘No Special Rider’) and then for Bluebird and ARC in 1935–36. Often featured with traditional jazz bands in addition to his primary work as a soloist ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, 1925–68) Wes Montgomery was a premier jazz guitarist; his unique guitar sound came from plucking octave figures with his thumb instead of a pick. Born into a musical family, Wes taught himself to play the guitar and toured with Lionel Hampton in the late 1940s. He performed with his brothers, bassist Monk and vibist Buddy, before ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1861–1931, Australian Melba made her debut in Brussels in 1887 at the Théâtre de la Monnaie and the following season sang at Covent Garden and the Paris Opéra. She sang Lucia at the Metropolitan Opera in New York in 1893, which began an intermittent relationship that lasted until 1910. Her musical mainstay, however, was Covent Garden. Melba ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocals, piano, b. 1946) Blind since birth, Ronnie Milsap was a multi-instrumentalist by the age of 12. Working with Elvis Presley’s producer Chips Moman, he played piano and sang backing vocals on a Presley recording session, and in 1965 scored a Top 20 US R&B hit with ‘Never Had It So Good’. Milsap also worked in ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Louvin Brothers followed in the footsteps of The Blue Sky Boys, one of the most influential close-harmony groups of the 1940s, and they paved the way for The Everly Brothers, kings of the 1950s and 1960s brother harmony duos. Though The Louvin Brothers’ commercial heyday was a relatively brief half-decade in the 1950s, their powerful, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

One of the greatest achievements any guitar player can attain is an immediately recognizable signature tone and style. And though many guitarists have realized this goal, few have done it as emphatically as Police guitarist Andy Summers (b. 1942). From the chord stabs of ‘Roxanne’ and ‘Don’t Stand So Close To Me’ to the arpeggios of ‘Message In A Bottle’ ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Bessie Smith was one of the greatest vocalists of the twentieth century; her emotional delivery and exquisite phrasing has been an influence on instrumentalists as well as innumerable singers, both male and female. Many of her records, including ‘Gimmie a Pigfoot’, ‘Woman’s Trouble Blues’, ‘St. Louis Blues’ and the song that became an anthem of the Great Depression, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1903–82) Joe Lee Williams was born in Crawford, Mississippi to tenant farmer parents and by the age of five he was playing a homemade guitar. He left home in 1915 to hobo through the South. Williams worked tent shows and medicine shows with a jug band and as a soloist from 1918–24. Often accompanied by Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1926–84) Willie Mae Thornton was born in Montgomery, Alabama. She settled in Houston, Texas in 1948 and began recording for the Peacock label in 1951. She toured with Johnny Otis in 1952–53 and recorded her number-one R&B hit, ‘Hound Dog’, with his band. The record, famously covered by Elvis Presley, enabled her ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, b. 1951) A distinctive electric guitar stylist, Frisell evokes longing and wonder through melodic selectivity, legato attack and strategic outbursts. Originally a clarinetist, then inspired by Wes Montgomery, he studied at Boston’s Berklee School of Music and with Jim Hall. He recorded for ECM and won fame in the New York noise/improv scene, exploring ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

In the 1960s and early 1970s, trumpeter Freddie Hubbard was the primary alternative to Miles Davis’s domination of the field. Hubbard came up in the hard-bop era, blew free jazz with Ornette Coleman and John Coltrane, and established a body of exemplary compositions, recordings and improvisations with the best of the 1960s Blue Note artists: Art Blakey ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Jazz and R&B star George Benson (b. 1943) seemed destined for a respected but low-key career in cool jazz until he adopted a funky hybrid of jazz and soul for the 1976 album Breezin’. Driven by accessible instrumentals and a smash reworking of Leon Russell’s ‘This Masquerade’, the album made Benson the biggest star to cross over from jazz to pop ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin
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